Our Story

Lars Andersson began in a Brooklyn studio in the mid-2000s, where Lars crafted his own vision of high-quality knitwear — a quiet, considered aesthetic shaped by his Swedish roots and a lifelong love of minimalist design. Every piece was hand-loomed. Every silhouette was deliberate. The brand grew steadily through word of mouth and the kind of loyal following that only genuine craft attracts.

In 2013, Lars traveled to Kathmandu to develop a new sample collection. What he found there changed the direction of the label entirely. The artisans of Nepal — their skill, their patience, their extraordinary feel for hand-loomed fabric — were unlike anything he had encountered elsewhere. The decision to move sampling and production from New York to Kathmandu was not a business calculation; it was a recognition that the work was better here, and that the people doing it deserved to be at the centre of what Lars Andersson made.

By 2020, Lars had opened a dedicated knitting studio in Kathmandu alongside his Nepali business partner. Today, a small team of highly skilled craftspeople works in that studio — hand-looming every garment on traditional looms, finishing each piece by hand, and hand-dyeing much of the range in colours developed in-house. The studio is small on purpose. Quality is not compatible with volume, and Lars Andersson has never tried to make it so.

The fibers are chosen with the same discipline as the silhouettes: 120's superfine merino — one of the finest grades available, soft enough to wear directly against the skin; cashmere for its featherlight warmth and unmistakable plush; certified organic cotton and organic linen for the warmer months. Each fiber is sourced from respected specialist mills. Nothing is used unless it is the right material for the piece it will become.

Every Lars Andersson garment is made to order. When you place an order, your piece is knitted, finished, and often hand-dyed for you specifically. Nothing sits in a warehouse waiting to be discounted. Nothing is produced speculatively. It is a slower way to work — and it is the only way we know to make something worth keeping.

Swedish-minimalist in line. Himalayan in craft. Made to last.